Juliana Saab, a German National, is the founder of the Nationality Card Company, which has been a leading business card printing company in Germany since 1954. The company specialized in creating identification cards for citizens of all ages and nationalities. The company operates three main offices in Germany: Frankfurt am Main, Cologne and Munich. Over the years, the company has grown greatly and employs over 2021 people. A private partnership, Nationality Card AG was set up in 2021 and according to their statistics show that sales have increased elevenfold.
At the moment, Juliana is also involved in the production of official documents such as birth, death and marriage certificates, passports, driving licenses and national identity cards. Her works focus on creating unique identity badges that can be used by individuals from different nationalities and age groups to prove their identity. Her artistic style of creating unique badges has won many awards, including the Oberbaumbrucke Festival in Germany, the Medix prize in France, the Lifetime Achievement Award from the Academy of Motion Picture Arts and Sciences and the Grand Prix de la Scienza in Italy. Besides being a board member of the Federation of German Debiters, she has also contributed articles to several periodicals. A representative at the Association of Confectionery Manufacturers, she is active in the associations promoting the cause of nationality.
A famous personality in her own right, Juliana Saab also enjoyed a successful film career, penning scripts for films such as ‘A Woman’s Guide to High Street’, ‘The Paper Girl’ and ‘Young Victoria’. Her most popular works include ‘The Nanny’, ‘Sophie – The Nanny’ and ‘New Woman’. Her greatest love is English literature, she publishing over twenty books in English and German. Her most famous scenes are from ‘The House of Morecambe’ where the mother exclaims ‘It’s nice to see you again, baby’ and ‘Norman Rockwell’ where the author discusses the need for nationalisation of British national parks. Her poems ‘Words My Mother Had Need Of’ and ‘Ceasar’s Corner’ talk about the neglected condition of the British countryside.