Francesca Dardani is an Italian National who is famous for her tall and slim physique that is highlighted by her long legs. The truth is that Francesca has been a professional artist for more than 30 years, and though she has not held a major commission in her career, the profession of art that she has pursued is one that is highly demanding. In fact, Francesca Dardani is considered as one of the best modern artists in the world, and her work is frequently shown across Italy and at art galleries in London, New York and Paris. Her sculptures are beautiful both in scale and in their detail, and it is not her artistic intentions to make any statement with the height and slimness of the subjects that they feature, but rather to evoke mystery, fascination and wonder in their creation.
The question as to whether or not Francesca Dardini is an artist or not cannot be answered simply by referring to her statues or ceramics; nor can it be determined by looking at her paintings or prints. The answer must be sought in the context of the profession that she has chosen, and in the context of the heights that she enjoys and the attention that she receives. For those who question whether or not Francesca Dardini is an artist, the answer is a resounding yes, as she fits the description of the artist as gleaned from several art critics who have written about her. In many ways, Dardini is a modern day equivalent of the ancient precursors of modern art, in that her work displays the conventions of figurative art as well as the decorative flourishes of architecture.
When discussing whether or not Francesca Dardini is a modern day equivalent of the old masters, one cannot discount the importance of age in both her art and her life. Dardini’s sculpture from the Sistine Chapel shows a certain gravity and elegance despite her imposing height, and her stature never fails to attract admiring glances. In the case of the ceramics that she was responsible for creating, it is possible to note that she never achieved the kind of popularity that some of her contemporaries enjoyed. One might argue that this is due to her decision to pursue a career as a sculptor, rather than an actress or a writer. Nonetheless, such considerations do not diminish the power of the personal aesthetic that Dardini brings to each of her works. In fact, such power should be measured against the restraint with which she chose each art project, each representation, each lifestyle, and each moment in time that the artist chose to express it.